Friday, August 31, 2012

Random House: Labor Day Hop

YEY!!! Happy Labor Day!!!

Romance at Random, & the participating sites below, are hosting a blog hop with FREE books! Enter your name into the Rafflecopter & you could be chosen to win:

A Free Romance book! (10 winners in all)

Be one of 5 winners to win a prize pack from author Elisabeth Barrett (check out her new release, BLAZE OF WINTER)

Grand Prize is a $25 eGC

Happy Hopping!

Visit the other stops:  


Blog Tour: (Book Review+Giveaway): Betrayal by Amber Garr

Betrayal by Amber Garr
  • Paperback: 258 pages
  • Publisher: CreateSpace Independent Publishing Platform (February 20, 2012)
  • Language: English
  • ISBN-10: 1468190067
  • ISBN-13: 978-1468190069
Life as a mermaid can be suffocating.

Eviana Dumahl has returned home as a clan leader, an orphan, and a heartbroken teenage girl. Her parents are dead and her boyfriend, Brendan, has decided that he needs some time away. While battling her inner turmoil, Eviana is forced into the war that Lucian Sutherland has incited amongst her own kind. With the help of Kain, her friend and formally betrothed, the two work together to prove that they deserve their birthrights as young merfolk leaders.

When the Council requests a demonstration of Eviana’s mermaid powers, she finds herself with an opportunity to win back Brendan’s heart. But her orders to train with a repulsive merman and the presence of an attractive new suitor challenges Eviana to embrace her leadership and resist temptation. Lucian is after her, and no one seems to understand why. Loyalties are tested as the casualties increase, showing Eviana that sometimes it is impossible to delineate between friends and enemies.

Betrayal is the second book of The Syrenka Series trilogy following Eviana and her friends as they navigate through the challenges of existing in a secret world.

DISCLAIMER: Don’t dare read this if you ahven’t picked up book 1, PROMISES just yet. Check out my review here.

Just like the first, the cover is still pretty.. Love that the blue got darker and it feels more turbulent, like the storm is brewing. Although judging from the former, I like the simplicity and eerie beauty of Promises:D

BETRAYAL has a great plot that turned the whole series upside-down. I never guess the twist and turns that happened. It caught me off guard, confused me as to who I should believe and be aware of- it simply stunned me how Amber Garr managed to sneak on

The characters develop so much from the first time I met them in PROMISES. It’s like I’m reading a new person and yet their unique personalities managed to stay the same. Kain? Why are you and understanding, sweet and a loyal friend. Sometimes I want to kick Eviana to make her realize what she’s missing. And what did Brendan do, that make me from ignoring him to hating him, gosh Eviana, don’t’ waste your time winning that dork back..:D And Eviana, although missing Brendan was becoming a good and reliable leader. She matures just enough to take on the role, decide for her people and balanced it with her boy issues. Yeah, so much has changed.

If it was tormenting to choose between Kain and Brendan before, guess what? Eviana now have to face three (3), all-too-good-to-be-true boys. The addition of Graham, makes me want to share half of my votes from Kain :D. He’s the depiction of bad/mysterious and definitely hot male character.

Compared to the first book, BETRAYAL is more fast-paced, enemy attacks being thrown from time to time, which becomes deadly by the minute. The story progresses on like music sounding louder and louder and tenser and tenser. This is an exciting and darker story, that would leave your jaws dropping. **can’t believe what Amber did at the last chapter**

BETRAYAL was so much better than what I expected this series would go. This ends in a cliffhanger that would totally want you to grab book 3, ARISE, immediately. If you’re in for some charmingly attractive boys plus a war brewing among merpeople, then BETRAYAL’s for you. A story of love, betrayal, friendship, adventure, a choice, a stand and action-filled that I would highly recommend to everyone!!!

Check out these cool team banners for Brendan, Kain and Graham from Sarah Elizabeth's bookshelf.

There are 2 chances of winning:
 First, comment on this post. (comments from the first book post will be accumulated)
No need to be a follower.
Prize: any e-copy of the 3 books (Promises/Betrayal/Arise)

Second: Win all three signed paperbacks of the Syrenka Series plus surprise swag.
Open INT.,. this is a tour-wide giveaway
click here to enter the giveaway and visit the other stops to win.

Check out my interview with Amber Garr and know her dream cast.>:D!
View all my reviews

Thursday, August 30, 2012

Promotional Event: The Winemaker's Dinner by Everly Drummond

Recently named executive chef at one of Miami Beach’s hottest restaurants, Jaden Thorne is determined to make her culinary mark and fulfill her professional dreams. When Jaden is given highly coveted tickets to the ultra-exclusive Winemaker’s Dinner, she jumps at the opportunity to meet South Florida's wealthiest and most influential food and wine enthusiasts.
Jaden’s eyes are drawn to the VIP section even before the appetizers appear, but she soon finds herself thinking less about networking and more about the intriguingly sexy stranger eying her from across the room. After dinner, what begins as a light-hearted flirtation unexpectedly catapults into a night of explosive passion. But when morning dawns, Jaden leaves her sleeping Mr. Oh So Sexy behind, sure they’ll never see each other again.

Dr. Ivan Rusilko, a handsome, young physician, boasts an extensive resume’ and a well-established position on Miami Beach’s social scene. But despite his success and glamour, he’s routinely had to suffer uninspiring dates and doomed relationships. With a romantic heart, Ivan’s not the love-‘em-and-leave-‘em type. But when he awakens to find that the girl in the red dress has done exactly that, he resolves to find her--only if it’s just to ask why she left without even a kiss goodbye. 

The Winemaker’s Dinner is a fictionalized erotic memoir inspired by the romantic triumphs and tragedies of Dr. Ivan Rusilko’s real life. Weaving fact with fantasy, authors Everly Drummond and Dr. Ivan Rusilko have gifted readers with a swoon-worthy flesh and blood romantic hero and the intoxicating bouquet only a heartfelt tale of passionate love can create.

The book will officially release July 31, 2012 but it looks like it is live on Amazon already . Here are the links to find it:

Amazon | Barnes & Noble | Goodreads

Trailers #1
 Trailer #2:

Short Stories: 

These can be found FREE on Omnific Publishing's website. Everly Drummond wrote TWD: No Reservations told from the heroine's POV. TWD: RSVP is the debut writing of Dr. Ivan Rusilko and is told from the hero's POV, Ivan Rusilko:
"The Winemaker’s Dinner is a fictionalized erotic memoir inspired by the romantic triumphs and tragedies of Dr. Ivan Rusilko’s real life. Weaving fact with fantasy, authors Everly Drummond and Dr. Ivan Rusilko have gifted readers with a swoon-worthy flesh and blood romantic hero and the intoxicating bouquet only a heartfelt tale of passionate love can create." 
In addition to being the co-author of his fictionalized erotic memoir, Dr. Ivan Rusilko is a two-time former Mr. USA, a fitness model and a doctor, he's also the romantic hero in the book - a flesh and blood romantic hero.



Wednesday, August 29, 2012

Blog Tour (Top 10 Guest Post +Giveaways):Madly Series by M. Leighton

Follow the rest of the tour here.
Top 10 Guest PostMadly’s point of view.
updated: so sorry everyone for this post showing the white background earlier, thereby making it hard to read.  What's wrong with google?! my post aren't showing as what I intend them to be..
Anyways, it's corrected now.>:D

1. Favorite movie/actor/actress?   
     I guess I would have to say Goldfinger for my favorite movie.  I know that sounds crazy and stupid, but Jersey has made me watch James Bond movies with her a thousand times and they kinda grew on me.  That’s probably why Sean Connery is one of my favorite actors.  Jersey thinks he’s a hot old man even now, which is kinda gross, but I still like him.  As for a favorite actress, I don’t know if I have one.  I haven’t gotten to watch a lot of different movies since being in Slumber, so I can’t really say.

2. Favorite song/singer?   
    I love that song Crush by that guy from that show.  What’s that show called?  Uhhhhhh! Oh yeah! American Idol.  David Archuleta.  I’m sure it has nothing at all to do with the fact that I’ve had a crush on the same guy for most of my life.  LOL

3. Favorite place you would love to visit? 
    The sky.  I’ve been all over the world in the water, but I’ve never flown anywhere.  Like in an airplane.  I would love to fly anywhere! 

4. One item you can not live with out?  
     Water.  For obvious reasons.  LOL

5. Who would you like to meet?(dead or alive)  
       Jackson and Jersey’s parents.  They died when we were all very young and I don’t remember them at all.  I bet they’d be great, though.  Just like Jackson and Jersey.

6. Favorite hobby?  
     Watching football.  We don’t really have anything like that in Atlas and I love to watch all those men in tight pants and big shoulder pads out there fighting for the upper hand.  Jersey got me started watching it.  The ONLY reason she likes it is the tight pants. LOL  But, you know Jersey…

7. Guilty pleasure?  Chocolate!  
     One of the first times we came to dry land, Jersey got a pack of bubble gum and I got a candy bar.  We both fell in love with our treasures. 

8. Favorite author and/book? 
     The only thing I’ve gotten to read since we’ve been in Slumber has been text books, but I have to admit I’m very anxious to read some of these books I hear human girls talking about.  What is it called, paranormal romance?  I love romance anyway, but I think it would be very interesting to read about how they picture these creatures they THINK are only imaginary.  They’re real, of course.  They just don’t know it.

9. Do you collect anything?  
    I love figurines and statues that humans make here on dry land.

10. Favorite color?

Madly is your average nearly-eighteen year old girl—for a princess, that is.

Madly James is thoroughly enjoying her internship in the small town of Slumber when the unthinkable happens—there’s a prison break in Atlas, the magically-protected home of Madly’s race. A traitor has set free eight Lore, the spirits of what humans know as fairy tales, and they are making their way to Slumber to awaken their descendants.

In order to save her home, the lives of her family, and all of humanity, Madly must learn to wield her exceptional powers and recapture the Lore before it’s too late and all is lost. But Madly’s only help are her two best friends and the Sentinel, Jackson Hamilton, that threatens both her heart and her destiny. Madly has loved Jackson as long as she can remember, but he is the one thing even a princess can’t have. Can she resist love to become the queen she was fated to be? Or can she find a way to have both?

This novelette introduces you to Madly and prepares you for the quest of a lifetime

Madly is your average nearly-eighteen year old girl—for a princess, that is.

Madly James is thoroughly enjoying her internship in the small town of Slumber when the unthinkable happens—there’s a prison break in Atlas, the magically-protected home of Madly’s race. A traitor has set free eight Lore, the spirits of what humans know as fairy tales, and they are making their way to Slumber to awaken their descendants.

The first spirit to arrive is that of Ulrich Wolfhardt, a man that was once obsessed with wolves and a young maiden he would follow through the woods. After a bite from a wolf, Wolfhardt’s obsession with the girl became an unnatural hunger and the young maiden’s grandmother cursed him with a fate worse than death. And now he’s back…with a vengeance and a bite that can infect others as well.

Madly must learn the identity of Wolfhardt’s descendant and stop him before he kills again and spreads his curse across the earth. But the only person strong enough to help Madly is Jackson, the Sentinel who vowed to protect her and the one person capable of breaking her heart. Can Madly resist forbidden love long enough to save the world from Wolfhardt? Or will she have to sacrifice her heart and her destiny to save the ones she loves?

 How deep does love run? Deeper than the ocean? Deeper than memory? Deeper than magic?

Following their plan to save Atlas, Madly and Jackson return the spirit of Wolfhardt to his prison beneath the sea. But even the best laid plans couldn’t account for the surprises they find. This time, Lore aren’t their only challenges.

Madly is special in ways no one could have guessed and dark forces seek to control her. They want her power, but first they must weaken her. They need her beaten. Vulnerable. Near death. And alone. But that task isn’t an easy one with Jackson at her side. The strongest of their kind, the only way to separate Jackson from Madly is to destroy his love for her, to erase it from his mind. And his heart.

Is it possible to steal Jackson’s love from Madly? Or is their love the only truly unbreakable thing?
M. Leighton
Social Media links:
Twitter: @MLeightonBooks
Links to find/buy book:

SIGNED Paperbacks oF Madly, Madly & Wolfhardt, and Madly & The Jackal, 
Swag pack, 
and a Madly t-shirt.
 US/CA only. 

Tuesday, August 28, 2012

Book Review+ Chapter 1: Girl of Nightmares

Girl of Nightmares by Kendare Blake (Goodreads)
  • Reading level: Ages 13 and up
  • Hardcover: 336 pages
  • Publisher: Tor Teen; First Edition edition (August 7, 2012)
  • Language: English
  • ISBN-10: 0765328666
  • ISBN-13: 978-0765328663
It's been months since the ghost of Anna Korlov opened a door to Hell in her basement and disappeared into it, but ghost-hunter Cas Lowood can't move on.

His friends remind him that Anna sacrificed herself so that Cas could live—not walk around half dead. He knows they're right, but in Cas's eyes, no living girl he meets can compare to the dead girl he fell in love with.

Now he's seeing Anna everywhere: sometimes when he's asleep and sometimes in waking nightmares. But something is very wrong...these aren't just daydreams. Anna seems tortured, torn apart in new and ever more gruesome ways every time she appears.

Cas doesn't know what happened to Anna when she disappeared into Hell, but he knows she doesn't deserve whatever is happening to her now. Anna saved Cas more than once, and it's time for him to return the favor.

I think everyone already knew that the cover of this book is totally creepy and beautiful. I didn’t realize until I look closely that Anna is actually beckoning us like in a come-for-me sort of way..:D Very pretty and bloody..:)

So I heard so much about Anna Dressed in Blood. I have read my co-bloggers reviews, read the praises from many book sites, and got totally excited about it. I look for it anywhere and from anyone, publicist, the author, and got no replies, (I haven’t had that many followers and page views back then). Until 2012 came, and I heard about the sequel. It wasn’t until July that I tried reaching out to the people concerned for a review copy. And again, I got no replies. And right when I didn’t thought anymore of the possibility of reading it, a parcel arrive at my house second week of August, and when I opened it, a copy of GIRL OF NIGHTMARES is lying pretty in the center with 2 pins. WOW, just wow. I don’t know who send it, no sender’s name, but it totally made my day. So THANK YOU SO MUCH!!!

The plot is something I’ve never heard of, a ghost-hunter trying to save his ghost girlfriend from hell. Really? The creepiness didn’t stop me from divulging in this right away after opening it that resulted in a one-late-night read.:)..This book proved that a series could stand alone. It was easy for me to jump in where ANNA DRESSED IN BLOOD left. We’re given glimpses of what happened in the past, why Anna’s in hell, the reason behind the athame, and everything else was brought into closure. The story flowed perfectly with the characters flawed but very real.

Blake’s writing has its sensuous dark enticement. It kind of lures me to continue reading the gothic depiction of Anna and the story as a whole. The style’s been balanced, with enough humor for a reader to get some fresh air, and full-packed horror to make us suck our breaths again. Blake made an exceptional depiction of macabre things (I know I’m the first to say that, but that’s worth repeating.:D). It made my mind imagine scary things that even right now, when I close my eyes, made me remember and flinch again.

I couldn’t comment more on Cass behavior, except I don’t hate him, I kind of understand what he feels. Trying to move on, but how could he, when everywhere he looks, Anna haunted him. The date he goes out with, I agree it’s not good, and sometimes disagreeing with your parent, not good either. But isn’t that what teenagers mostly do? How could we judge him, when he’d gone through more than what we could imagine? It’s not wrong to kind of break inside sometimes. Though I wish, at the end we’re shown that Cass developed his character socially not just with his friends but with others, though.

Carmel, I kind of hate her (don’t hate me just yet, remember I don’t know what major role she plays on the first book). She was depicted as this paranoid, immature, “I-don’t-want-to-have-any-business-with-ghost type and I don’t know what’s the reasoning behind for her little drama of **Spoiler** “I-had to-broke-up-with-him-to-keep-him-safe”, and dumping him that way, was she really that bad? Luckily, she did change her mind at the end, and that’s where I saw she’s actually cool. I don’t hat her now, just don’t really like her..:D

The ending?... it’s sad, but I can’t imaging another way for the author to end it. It suit, it’s perfect!

I just missed the thing where most bloggers say they love Anna for her craziness, revenge, headstrong, powerful and beautiful spirit. She’s mostly shown in the 2nd book as someone who’s tortured, powerless and needs help from Cass. Although, at the later end, I was rejuvenated to see her kicking ass but it’s short-lived. If I had the chance, I would love to read Anna Dressed in Blood.

And oh, I feel like I have to mention, the visit to Aunt Riija was awesome. Didn’t see it coming. KENDARE BLAKE would be forever in my bookshelf list of excellent horror and suspense authors.>:D

Fast-paced, dark story, humor, love beyond death, adventure, bravery, friendship, letting go, all of this packed in one book and you get the thrilling GIRL OF NIGHTMARES. The best achingly beautiful end to an epic series. Very highly recommended!!!

View all my reviews

I think I killed a girl who looked like this once.
Yeah. Her name was Emily Danagger. She’d been murdered in her early teens, by a contractor working on her parents’ house. Her body was stuffed into the attic wall and plastered over.
I blink and mutter a vague answer to whatever question the girl next to me just asked. Emily’s cheekbones were higher. And the nose is different. But the shape of the face is so similar, it’s like I’m staring at the girl I tracked into the upstairs guest room. It took the better part of an hour, hacking with the athame at wall after wall as she seeped out of it, quietly trying to get behind me.
“I love monster movies,” says the girl beside me whose name I can’t remember. “Jigsaw and Jason are definitely my favorites. What about you?”
“I don’t much care for monster movies,” I reply, and don’t mention that neither Jigsaw nor Jason is technically a monster. “I like explosions, special effects.”
Cait Hecht. That’s this girl’s name. She’s another junior at Winston Churchill. She has hazel eyes, sort of too big for her face, but pretty. I don’t know what color Emily Danagger’s eyes were. By the time I met her, all the blood had leaked out of them. I remember her face, pale but not sightless, materializing through faded flower-print wallpaper. Now it seems dumb, but at the time it was the most intense game of dead-girl whack-a-mole ever. I was covered in sweat. It was a long time ago, when I was younger and more easily rattled. It would still be years before I’d go up against ghosts of any real strength—ghosts like Anna Korlov, the girl who could have torn out my spine anytime she liked, but wound up saving me instead.
I’m sitting in the corner booth of a coffee shop off Bay Street. Carmel’s across from me with two of her friends, Jo and Chad, who I think have been a couple since seventh grade. Gross. Beside me, Cait Hecht is supposed to be my date. We just saw a movie; I don’t remember what it was about but I think there were giant dogs in it. She’s talking to me with oversized gestures, cocked eyebrows, and teeth made perfect by a childhood full of retainers, trying to keep my attention. But all I can think is how much she looks like Emily Danagger, except far less interesting.
“So,” she says awkwardly, “how’s your coffee?”
“It’s good,” I reply. I try to smile. None of this is her fault. Carmel’s the one who talked me into this farce, and I’m the one who went along with it to shut her up. I feel like an ass for wasting Cait’s time. I feel like a bigger ass for secretly comparing her to a dead girl I killed four years ago.
The conversation stalls. I take a long drink of my coffee, which really is good. Full of sugar and whipped cream and hazelnut. Under the table, Carmel kicks me and I almost spill it down my chin. When I look up she’s talking to Jo and Chad, but she meant to do it. I’m not being a proper date. There’s a tic starting underneath her left eye.
I briefly contemplate making polite conversation. But I don’t want to encourage this, or lead Cait on. It’s a mystery why she wanted to go out with me anyway. After what happened to Mike, Will, and Chase last year—Mike getting murdered by Anna, and Will and Chase eaten by the ghost that killed my father—I’m the pariah of Winston Churchill. I was never linked to their murders, but everyone suspects. They know that those guys hated me, and that they ended up dead.
There are actual theories about what might have happened, big, swirling rumors that circulate and grow before finally reaching epically ridiculous proportions and dying off. It was drugs, people whisper. No, no, it was an underground sex ring. Cas was supplying them with amphetamines so they could perform better. He’s like a druggie pimp.
People pass me in the halls and avoid my eyes. They whisper in my wake. Sometimes I second-guess my decision to finish high school in Thunder Bay. I can’t stand that these idiots have all these theories, most of them outlandish to the extreme, yet none of them have thought to mention the ghost story that they all knew. No one has ever talked about Anna Dressed in Blood. That, at least, would be a rumor worth listening to.
Some days, I open my mouth to tell my mom to get ready, to find us another house in another city where I could be hunting any number of the murderous dead. We’d have packed up months ago had it not been for Thomas and Carmel. Despite all efforts to the contrary, I’ve come to rely on Thomas Sabin and Carmel Jones. It’s weird to think that the girl across the table, giving me secret dagger eyes, started out as just a mark. Just a way to know the town. It’s weird to think that I once saw Thomas, my best friend, as an annoying, psychic tagalong.
Carmel nudges me again and I glance at the clock. Barely five minutes have passed since the last time I looked. I think it might be broken. When Cait’s fingers slide against my wrist, I pull away and take a drink of my coffee. I don’t miss the embarrassed and uncomfortable shift of her body when I do it.
All of a sudden, Carmel says loudly, “I don’t think Cas has even researched colleges yet. Have you, Cas?” She kicks me harder this time. What is she talking about? I’m still a junior. Why would I be thinking about college? Of course, Carmel has probably had her future planned out since preschool.
“I’m thinking about St. Lawrence,” Cait says when I just sit there. “My dad says St. Clair might be better. But I don’t know what he means by better.”
“Mm,” I say. Carmel’s looking at me like I’m some kind of idiot. I almost laugh. She means well, but I have absolutely zero to say to these people. I wish Thomas were here. When the phone in my pocket starts buzzing, I jump up from the table too fast. They’ll start talking about me the minute I’m out the door, wondering what my problem is, and Carmel will tell them I’m just nervous. Whatever.
It’s Thomas calling.
“Hey,” I say. “Are you mind reading again, or is this just good timing?”
“That bad, huh?”
“No worse than I thought it would be. What’s up?”
I can almost feel him shrug through the phone. “Nothing. Just thought you might want an escape route. I got the car out of the shop this afternoon. It could probably take us down to Grand Marais now.”
It’s on the tip of my tongue to say, “What do you mean, probably?” when the door of the coffee shop opens and Carmel glides out.
“Oh, shit,” I mutter.
“Carmel’s coming.”
She stops in front of me with her arms crossed over her chest. Thomas’s tiny voice is chirping, wanting to know what’s going on, whether he should swing by my house and pick me up, or not. Before Carmel can say anything, I put the phone back to my ear and tell him yes.

Carmel makes our excuses for us. In her Audi, she manages to keep up the silent treatment for all of forty seconds as she drives through the Thunder Bay streets. As we go, there’s that odd coincidence of the streetlights turning on just ahead of us, like an enchanted escort. The roads are wet, still crunchy with lingering ice patches at the shoulders. Summer vacation starts in two weeks, but the town doesn’t seem to know it. Late May and temps still dip below freezing at night. The only indication that winter is ending are the storms: screaming, wind-driven things that go out over the lake and swing back in again, rinsing away the wreck of winter sludge. I wasn’t ready for so many months of cold. It clamps around the city like a fist.
“Why did you even bother to come?” Carmel asks. “If you were just going to act like that? You made Cait feel really bad.”
We made Cait feel really bad. I never wanted to do this in the first place. You were the one who got her hopes up.”
“She’s liked you since chemistry last semester,” Carmel says, scowling.
“Then you should have told her what an ass I am. Made me sound like a moronic jerk.”
“Better to let her see it for herself. You barely said five words to anyone.” She’s got this disappointed squint on her face that’s hovering close to disgust. Then her expression softens and she pushes her blond hair off of her shoulder. “I just thought it would be nice if you got out and met some new people.”
“I meet plenty of new people.”
“I mean living people.”
I stare straight ahead. Maybe she meant that as a jibe about Anna, and maybe she didn’t. But it pisses me off. Carmel wants me to forget. To forget that Anna saved all of our lives, that she sacrificed herself and dragged the Obeahman down to Hell. Carmel, Thomas, and I have been trying to figure out what happened to her after that night, without much luck. I guess Carmel thinks it’s time to stop looking and let her go. But I won’t. Whether I’m supposed to or not doesn’t matter.
“You didn’t have to leave, you know,” I say. “I could’ve had Thomas pick me up there. Or I could have walked.”
Carmel chews her pretty lip, used to getting her way. We’ve been friends for most of the year now, and she still gets this puzzled puppy face when I don’t just do what she says. It’s strangely endearing.
“It’s cold out. And it was boring anyway.” She’s unruffled in her camel peacoat and red mittens. The red scarf at her neck is carefully knotted, despite the fact that we left in a hurry. “I was just doing Cait a favor. I got her the date. It isn’t our fault if she couldn’t dazzle you with her charm.”
“She has good teeth,” I offer. Carmel grins.
“Maybe it was a bad idea. You shouldn’t force it, right?” she says, and I pretend not to notice the hopeful glance she gives me, like I should keep this conversation going. There’s nowhere for it to go.
When we get to my house, Thomas’s beat-up Tempo is parked in the driveway. I can see his silhouette inside, talking to my mom’s. Carmel pulls in right behind it. I expected to be dropped at the curb.
“We’ll take my car. I’m going with you,” she says, and gets out. I don’t object. Despite my best intentions, Carmel and Thomas have joined the ranks. After what happened with Anna, and the Obeahman, cutting them out wasn’t really an option.
Inside the house, Thomas looks like one big wrinkle plopped down on the sofa. He stands up when he sees Carmel, and his eyes do their usual googly routine before he adjusts his glasses and goes back to normal. My mom is sitting in the chair, looking comfortable and motherly in a wrap sweater. I don’t know where people get these ideas that witches all wear a metric ton of eyeliner and bounce around in velvet capes. She smiles at us and tactfully asks how the movie was, rather than how the date went.
I shrug. “I didn’t really get it,” I say.
She sighs. “So, Thomas tells me that you’re going to Grand Marais.”
“Seems like as good a night as any,” I say. I look at Thomas. “Carmel’s coming too. So we can take her car.”
“Good,” he replies. “If we take mine we’ll probably wind up on the side of the road before we even cross the border.”
There’s a brief moment of awkwardness as we wait for my mom to leave. She’s not a civilian by any means, but I try not to bother her with details. After my near death this past fall, her auburn hair has become peppered with white.
Finally she stands and presses three small but very smelly velvet bags into my hand. I know what they are without looking. Fresh, herbal blends of her classic protection spell, one for each of us. She touches my forehead with a fingertip.
“Keep them safe,” she whispers. “And you too.” She turns back to Thomas. “And now I should get to work on more candles for your grandfather’s shop.”
“The prosperity ones have been going faster than we can get them on shelves.” He grins.
“And they’re so simple. Lemon and basil. A lodestone core. I’ll stop in with another batch by Tuesday.” She goes up the stairs, to the room she’s taken over for spell work. It’s full of block wax and oils and dusty bottles of herbs. I hear that other mothers have entire rooms designated for sewing. That must be weird.
“I’ll help you pack the candles when I get back,” I say as she vanishes up the stairs. I wish she’d get another cat. There’s a cat-shaped hole where Tybalt used to be, floating in her footsteps. But I suppose it’s only been six months since he died. Maybe that’s still too soon.
“So, are we ready?” Thomas asks. Under his arm there’s a canvas messenger bag. Every scrap of info we get on a particular ghost, a particular job, he stuffs inside that bag. I hate to think how quickly he’d be tied to a stake and burned if anyone ever got hold of it. Without looking into the mess, he reaches in and does his creepy psychic thing, where his fingertips find whatever he’s after, every time, like that girl from Poltergeist.
“Grand Marais,” Carmel murmurs as he hands the papers to her. Most of it is a letter from a professor of psychology at Rosebridge Graduate School, an old crony of my dad’s, who, before buckling down and shaping young minds, expanded his own by participating in trance circles led by my parents in the early 80s. In the letter, he talks about a ghost in Grand Marais, Minnesota, rumored to inhabit an abandoned barn. Six deaths have occurred on the property over the last three decades. Three of them have been deemed as under suspicious circumstances.
So what, six deaths. Stats like that don’t make my usual A-list. But now that I’m rooted in Thunder Bay, my options are limited to a few road trips a year and places I can get to over the weekend.
“So, it kills by making people have accidents?” Carmel says, reading over the letter. Most of the barn’s victims appeared to be accidental. A farmer was working on his tractor when the thing slipped off the bricks and pinned him. Four years later, the farmer’s wife fell chest-down on a pitchfork. “How do we know they aren’t really accidents? Grand Marais is a long drive for a no-show.”
Carmel always calls the ghosts “it.” Never “he” or “she” and rarely by name.
“Like we have anything better to do?” I say. In my backpack, the athame shifts. The knowledge of it there, tucked into its leather sheath, sharp as a razor without ever needing to be sharpened, makes me uneasy. It almost makes me wish I were back on that damned date.
Ever since the confrontation with the Obeahman, when I found out that the knife had been linked to him, I . . . I don’t know. It’s not that I’m afraid of it. It still feels like it’s mine. And Gideon assures me that the link between it and the Obeahman has been severed, that the ghosts I kill now no longer go to him, feeding him and increasing his power. Now they go where they were supposed to go. If anyone would know, it would be Gideon, over in London, kneedeep in musty books. He was with my dad since the beginning. But when I needed a second opinion, Thomas and I went to the antique shop and listened to his grandfather Morfran run through a speech about how energy is contained on certain planes, and that the Obeahman and the athame don’t exist on the same plane anymore. Whatever that means.
So I’m not afraid of it. But sometimes I feel its power reach out and give me a shove. It’s a little bit more than an inanimate thing, and sometimes I wonder what it wants.
“Still,” Carmel says, “even if it is a ghost, it only kills once every few years? What if it doesn’t want to kill us?”
“Well,” Thomas starts sheepishly, “after the last time we came up empty-handed, I started working on this.” He reaches into the pocket of his Army surplus jacket and pulls out a circular piece of light-colored stone. It’s flat and about one inch thick, like a large, fat coin. There’s a symbol carved into one side, something that looks like a modified Celtic knot.
“A runestone,” I say.
“It’s pretty,” Carmel says, and Thomas hands it to her. It really is well done. The carving is exact, and he’s polished it so it shines white.
“It’s a lure.”
Carmel passes it to me. A rune to lure them out, sort of like ghostly catnip. Very clever, if it works. I turn it over in my hand. It’s cool to the touch and heavy as a hen’s egg.
“So,” Thomas says, taking the runestone back and pocketing it. “Do you want to try it?”
I look at the two of them and nod.
“Let’s get going.”

The drive to Grand Marais, Minnesota, is long, and boring in the dark. Boughs of pine trees flicker in and out of the headlights, and watching the dotted line is starting to make me motion-sick. For most of the ride down I try to sleep in the backseat, or at least feign sleep, alternately eavesdropping on and tuning out their conversation. When they whisper, I know they’re talking about Anna, but they never use her name. I hear Carmel say it’s hopeless, that we’ll never find out where she went, and that even if we could, maybe we shouldn’t. Thomas doesn’t argue much; he never does where Carmel is concerned. That kind of talk used to make me angry. Now it’s just commonplace.
“Turn off,” Thomas says. “I think that might be the road.”
I crane my head over the seat as Carmel tries to navigate the Audi down something that isn’t so much a road as a mud-rutted four-by-four trail. The car has all-wheel drive, but this still poses a high risk of getting stuck. They must’ve had heavy rain here in the last day or so, and the tracks are covered over with puddles. I’m just about to tell Carmel to forget it, and to try to back out, when something black flashes up in the headlights.
We skid to a stop. “Is that it?” Carmel asks. “It” is an enormous black barn, standing at the edge of a barren field with dead stalks of plants shooting up like stray hairs. The house that it must have belonged to, along with any other buildings, has long since been torn down. All that remains is the barn, dark and alone, waiting for us in front of a forest of silent trees.
“Matches the description,” I say.
“Description nothing,” Thomas says, rooting around in his messenger bag. “We got the sketch, remember?” He pulls it out and Carmel flips on the dome light. I wish she hadn’t. There’s an instant sensation of being watched, like the light just gave away all of our secrets. Carmel’s hand jerks to turn it off, but I put my hand on her shoulder.
“Too late.”
Thomas holds the sketch up to the window, comparing it to the shadowy figure of the barn. In my opinion, it isn’t much use. It’s rough, and done in charcoal so everything is just a different shade of black. It came in the mail along with the tip, and is the product of a psychic trance. Somebody drew out his vision while he was having it. He probably should have opened his eyes and looked down at the paper. The sketch has a definite dreamlike quality, a blurring of the edges and lots of harsh lines. It looks like it was done by a four-year-old. But as I compare them, the barn and the sketch start to look more and more similar, like it isn’t really the shape that matters so much as whatever is behind the shape.
This is stupid. How many times did my father tell me that places can’t be bad? I reach into my backpack and grab the athame, then get out of the car. The puddles reach up to my shoelaces, and my feet are soaked by the time I get to the Audi’s trunk. Both Carmel’s and Thomas’s cars have been outfitted and stocked like survival outposts, with flares and blankets and enough first-aid supplies to satisfy the most paranoid hypochondriac. Thomas is beside me, stepping gingerly through the mud. Carmel pops the trunk, and we grab three flashlights and a camping lantern. We walk together in the dark, feeling our feet go numb and listening to our socks squelch inside our shoes. It’s wet and cold. Stubborn snow patches still cling to the bases of the trees and around the sides of the barn.
I’m struck again by how ominous the barn looks. Worse even than Anna’s falling-down Victorian house. It crouches like a spider, waiting for us to get just close enough, pretending to be inanimate. But that’s stupid. It’s just the cold and the dark getting under my skin. Still, I wouldn’t necessarily give a thumbs-down if someone decided to come out here with gasoline and a match.
“Here.” I hand Thomas and Carmel their fresh protection spells. Thomas puts his in his pants pocket. Carmel holds hers like a rosary. We turn on the lantern and flashlights just outside the door, which creaks back and forth like a come-hither finger. “Stay close,” I whisper, and they press in on either side.
“I tell myself every time that we’re crazy for doing this,” Carmel mutters. “Every time, I think that I’ll just wait in the car.”
“It’s not like you to stay on the sidelines,” Thomas whispers, and on my other side, I sense Carmel’s smile.
“Get a room,” I mutter, and reach forward to pull open the door.
Thomas has this annoying habit of going in hot, flashing his beam of light every which way at a million miles an hour, like he’s expecting to bust a ghost mid-haunt or something. But ghosts are shy. Or if not shy, at least cautious. Never in my life have I opened a door and found myself staring directly into a dead face. I have, however, stepped inside and instantly known I was being watched. Which is what happens now.
It’s a strange sensation, that feeling of intense awareness from somewhere behind you. When you’re watched by the dead, the sensation is weirder, because you can’t pinpoint which direction it’s coming from. It’s just there. Annoying, but there’s nothing you can do about it. Sort of like Thomas’s strobe-flashlight.
I walk to the center of the barn and set the camping lantern on the ground. The air smells heavy with dust and old hay, which is scattered across the dirt floor. When I turn a slow circle, my flashlight beam steady and careful, it whispers and crunches beneath my feet. Carmel and Thomas pay close attention and stay right beside me. I know that Thomas at least, witch that he is, can feel that we’re being watched too. His flashlight beam zips up and down the walls, seeking out the corners and the places to hide. He’s giving too much away, instead of using the light as a decoy and paying attention to the dark. The sounds of clothing are loud; Carmel’s hair rustling back and forth over her shoulder as she looks around is like a fricking waterfall.
I put my hands out and step away, letting the light from the camping lantern break through our huddled mass. Our eyes have adjusted, and Carmel and I turn off our flashlights. The barn is empty except for what looks like the skeleton of an old plow in the south corner, and the camping lantern colors the room a muted yellow.
“Is this the place?” Carmel asks.
“Well, it’s good enough to stay in for the night,” I say. “In the morning we’ll try to walk somewhere with better reception and call a tow truck.”
Carmel nods. She’s caught on. The stranded traveler act works more often than you’d think. Which is why it shows up in so many different horror movies.
“It isn’t any warmer in here than it is outside,” Thomas comments. He shuts his flashlight off too, finally. There’s a rustle of commotion overhead, and he jumps a mile, does the quick-draw on his flashlight, and points the beam at the ceiling.
“Sounds like pigeons,” I say. “Good thing. If we’re stuck out here too long we might have to do some yard-bird rotisserie.”
“That’s . . . disgusting,” says Carmel.
“It’s low-rent chicken. Let’s check it out.” There’s a rickety, rotting ladder that leads up to a trapdoor. I assume that all we’ll find is a hayloft and a bunch of roosting pigeons and sparrows. But I don’t need to tell Thomas and Carmel to be alert. They stay right behind, in constant contact. When Carmel’s toe strikes the tines of a pitchfork, half-buried in the hay, she makes a face. We look at each other and she shakes her head. It can’t be the same one, the same pitchfork that the farmer’s wife fell on. That’s what we say to ourselves, though I guess there’s no real reason it can’t be.
I go up into the hayloft first. A sweep of my flashlight shows a large, flat expanse of hay-covered floor, and a few tall stacks of bales along the south wall. When I cast my light up toward the slanted roof, I see what has to be close to fifty pigeons, none of whom appear to mind the disturbance.
“Come on up,” I say. Thomas climbs up next and we both help Carmel. “Watch it; this hay is loaded with bird shit.”
“Nice,” she mutters.
Once we’re all up, we look around, but there isn’t a whole lot to see. It’s just a vast, open space, lined with hay and bird turds. There’s a pulley system they must’ve used to move hay suspended from the ceiling, and thick ropes are looped over the rafters.
“You know what I hate about flashlights?” Thomas asks, and I watch his beam move around the room, revealing sudden bird faces and shifting wings, then nothing but cobwebcovered boards. “They always make you think about the stuff that you’re not seeing. The stuff that’s still in the dark.”
“It’s true,” says Carmel. “That’s the worst shot in a horror movie. When the flashlight finally finds whatever it was looking for, and you realize that you’d rather not know what it looks like.”
They should both shut up. Now is not the time for them to be trying to freak themselves out. I walk off a little way, to hopefully put an end to the conversation and also to test out the quality of the floor. Thomas walks a little in the other direction, staying close to the wall. My flashlight moves over the hay bales, paying close attention to places something might hide. I don’t notice anything except how gross they look speckled with brown and white. Behind me, there’s a long creaking sound, and when I turn a rush of wind hits my face. Thomas found one of the hay doors and opened it up.
The feeling of being watched is gone. We’re just three kids, in an abandoned barn, pretending to be stranded for the benefit of no one. Maybe this wasn’t even the right place to begin with, and the feeling I got walking through the door was a fluke.
“I don’t think that rune of yours is working too well,” I say. Thomas shrugs. His hand drifts absently to his pocket, where the runestone weighs on the fabric.
“It was never a sure thing. I don’t work with runes very often. And I’ve never carved one myself before.” He bends down and looks through the hay door, out into the night. It’s gotten colder; his breath is a foggy cloud. “Maybe it doesn’t matter anyway. I mean, if this is the place, how many people are really in danger? Who comes out here? The ghost of whoever it was probably got bored and went to fake accidental deaths somewhere else.”
Accidental deaths. The words scratch at the surface of my brain.
I’m an idiot.
A rope falls from the rafter. I turn to yell at Thomas but the words don’t come out fast enough. All I get out is his name, and I’m running, sprinting toward him because the rope is falling, and the ghost attached to the end of it becomes corporeal half a second before it shoves Thomas through the hay door, headfirst to a forty-foot drop to the cold, hard ground.
I dive. Hay needles into my jacket, slowing me down, but I’m not thinking of anything besides that glimpse of Thomas, and when I vault myself through the hay door I manage to catch hold of his foot. It takes every ounce of strength in my knuckles to hold on to him as he bangs into the side of the barn. In the next moment, Carmel’s there with me, hanging half out of the door too.
“Thomas!” she shouts. “Cas, pull him up!” With each of us holding a foot we jerk him back inside, first to the toes, then to the knees. Thomas is handling all this very well, not screaming or anything. We’ve almost got him back up when Carmel screams. I don’t need to look to know it’s the ghost. There’s an icy pressure against my back and all of a sudden the air smells like the inside of a meat locker.
I turn and he’s right in my face: a young guy in faded overalls and a short-sleeved chambray shirt. He’s fat, with a gut paunch and arms like pale, overstuffed sausages. There’s something wrong with the shape of his head.
I’ve got the knife out. It flashes from my back pocket, ready to go straight into his belly, when she laughs.
She laughs. That laugh that I know so well even though I heard it only a handful of times. It’s coming out of this fat hillbilly’s gaping mouth. The athame almost falls out of my hand. Then the laugh cuts out, abruptly, and the ghost backs off and roars, something that sounds like English played backward though a bullhorn. Overhead, the fifty or so pigeons erupt off of their roosts and flap down toward us.
In the middle of feathers and musty bird smell, I shout at Carmel to keep pulling, to not let Thomas fall, but I know she won’t, even though tiny beaks and claws are getting caught in her hair. As soon as we have Thomas back inside I shove them both toward the ladder.
Our feet tramp down in a panic of flapping wings. I have to remind myself to look back, to make sure the bastard isn’t going to try another push.
“Where are we going?” Carmel shouts, disoriented.
“Just get out the door,” Thomas and I shout back. By the time my feet hit the bottom rung of the ladder, Carmel and Thomas are way ahead, running. I sense the ghost materialize to our right, and turn. Now that I have a closer look, I can see that what’s wrong with the shape of his head is that the back of it is caved in. I can also see that he’s holding the pitchfork.
Just before he throws it, I shout something at Carmel. It must be the right thing, because she whirls to see what it is and jerks her body to the left just before the tines of the pitchfork impale the wall. She finally starts screaming and the sound sharpens me; I draw my arm back and throw the athame in a snapping motion. It flies through the air and finds its home in the farmer’s gut. For an instant, he looks my way, at me and right through me, with eyes like tepid pools of water. I don’t feel anything this time. I don’t wonder where the knife is sending him. I don’t wonder whether the Obeahman can still feel it. When he wavers right out of existence like a ripple of heat, I’m just glad he’s gone. He almost killed my friends. Fuck that guy.
The athame hits the ground with a soft thud and I run to pick it up before going to Carmel, who is still screaming.
“Carmel! Are you hurt? Did it get you?” Thomas asks. He inspects her as she whips her head back and forth in a panic. The pitchfork came just that close. So close that one of the tines stabbed through the shoulder of her coat and pinned her to the wall. I reach up and yank the pitchfork loose, and she jumps away, brushing at her coat like it’s dirty. She’s equal parts scared and pissed off, and when she screams, “You stupid asshole!” I can’t help but feel like she’s screaming at me.

Girl of Nightmares © Kendare Blake 2012

Monday, August 27, 2012

Blog Tour (Author Interview+Giveaway): Painted Blind by Michelle A. Hansen


Seventeen years old and agoraphobic, Psyche Middleton vows her dad will never see the risqué photos she took during a summer modeling stint abroad, but one of them ends up on a billboard in her Montana hometown. Now everyone—especially her dad—can see it. And yet, somehow, those are the mundane things in her life because she is about to fall unexpectedly, head-over-heels in love with Erik, a mysterious young man who rescues her from a crowd of admirers, and who she’s never actually seen because…he can make himself invisible.

As strange as this may seem, it’s about to get even stranger. Erik takes her to his palace in an idyllic kingdom, and she is swept into the beauty and culture of his world, but his affection has one condition: she may not see him. Overtaken, intrigued, and still not wholeheartedly believing he’s real, Psyche is going to have to decide if she can love him blindly; because if she can’t, she may lose him forever.

Author Interview:

I'm glad to welcome Ms. Hansen on Bookshelf Confessions for an interview.. So, guys, sit back and possibly win her books at the end of the interview...
Where did you get your idea or inspiration to write a series based on this particular myth?

I have a picture book version of the myth that I used to read to my freshman English classes on Valentine’s Day. It was that book that got me wondering how the myth would translate into a  modern world.

What is the most challenging part of writing this book?

There were several hurdles in the book. First and foremost was to take things that the Greeks accepted—gods who could make themselves invisible, flying, Olympus—and make them believable for a modern audience. The second biggest hurdle was having the book in first person point of view instead of third omniscient. Psyche doesn’t meet the antagonist until about a third of the way through the novel, but the reader needed to be introduced sooner. That made a prologue necessary. The third hurdle was having a romantic hero who is absent for most of the book and whom Psyche only sees once.

Is there anything in PAINTED BLIND that you hope readers pick up on but they may not?
Every plot point of the myth is represented in the novel from the priestess at Apollo’s temple to the ants who complete the first task for Psyche. I adapted and developed them, but they are all there.

Which character was your favorite to write and why?
Titus wasn’t in the first draft of the novel. I decided to lengthen the final task and give Psyche a companion. I planned for him to be one of Erik’s men that she’d seen in the orchard on her first visit to the palace. I was literally in the middle of writing the scene of her meeting Aeas at the airport. He tells her, “Titus will fill you in on the plane,” and I described him stepping into the doorway. I screamed, “Oh! I know who he is!” Titus’s entire backstory came to me at that moment. He added conflict to the end of the novel, and he creates a perfect contrast for Savannah. Titus is a true friend.

What are you reading right now?
 I just started Relentless by Dean Koontz (which is about an author who responds to a bad review and pays dearly). Dean could have said, “Don’t respond to bad reviews.” Instead he wrote a whole novel to get you shaking in your booties. 
I also have a stack of books on writing that I read continually: Write it Forward by Bob Mayer, Writing the Breakout Novel by Donald Maass, How to Write a Damn Good Novel by James Fray to name a few.

US Only print copy

5 signed postcards and 10 ebooks 
open Internationally

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